Wallpaper and Interior Decoration for Bludiprussia

Rome, 28 September 2026 - Developing wallpapers that engage with the brand’s aesthetic, narrative and design vision

Wallpaper and Interior Decoration for Bludiprussia
Wallpaper and Interior Decoration for Bludiprussia

Rome, 28 September 2026 - Developing wallpapers that engage with the brand’s aesthetic, narrative and design vision

Based in Rome since 2003, Bludiprussia was the first space in Italy dedicated to design colours and colour design. Working with the company, students developed proposals centred on wallpaper as a product, exploring its possible variations and applications and combining it with interior design concepts aimed at enhancing the character and narrative of a space.

 

Roma, 28 settembre 2026

 

From walls, ceilings and window frames to a wide range of wallpapers, microcement finishes and textiles, Bludiprussia works with a variety of surfaces across its projects. Drawing inspiration from an extensive collection of decorative patterns and rollers gathered by the company’s founder over the years, students from the Master’s programmes in Interior Design and Product Design undertook an in-depth research project.

Through this process, wallpaper was approached not simply as a graphic composition, but as a product capable of expressing a specific stylistic and decorative language.

Students from both programmes rediscovered and reinterpreted the original patterns, developing designs ranging from organic elements characterised by soft, dynamic lines to everyday objects such as teapots, cups and coffee beans, evoking moments of calm, hospitality and conviviality. Other proposals explored elegant and soothing patterns, ideal for spaces that evoke nature through a contemporary and understated aesthetic, while others drew directly from the visual language of the futuristic, parametric world and wireframe aesthetics. Further explorations included decorative motifs inspired by Ancient Greece, characterised by a strongly geometric and material approach, as well as contemporary reinterpretations of traditional Moroccan ceramics.

In addition to reinterpreting the original rollers, students also explored the application of the same patterns to other interior elements, demonstrating how the designs they developed can be adapted and extended across different areas of use.

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